The romance wasn't all too strong either. Dude was aware he was a wreck for ten years but only felt guilty cause he knew he blew his chances with the female lead. The side villians had clear motivations even if they were simple ones. He was luke warm and wasn't sure about what he wanted in the end. Also he justifies killing humans which was one thing but nothing ever justifies him killing the parents. It's understandable with the female leads development because she was emotional and felt betrayed but this guy hated the whole world and yet couldn't kill the female lead they knew they had no chance with after what they did. Like no matter how many times I wrapped my head around it he had multiple chances. I found them to be a problem because despite how much they were capable of they were hindered because they were in love the female lead? Yet they had an easy time taking out her parents who also showed him kindness. The reason why I couldn't bring myself to give it an 8.0 because of how the main villain was handled compared to the side villains who seemed to be more interesting. Giving it at least 6.7 excluding the way the the art was handled giving the story more depth atmosphere and left me feeling amazed. The emotional expression of the characters makes the story more believable and helps it feels more real. The author and her assistants did a very good job at capturing emotions such as loneliness. It doesn't have the deepest story now that I look back at it but the way the story was handled is why it gets a high rating. However the story took itself seriously and character development was handled nicely. You'll find characters boasting about themselves not too often but still the characters are very flirty excluding the female lead.
But some things were dragged on for too long but was fixed with comedy. It was enjoyable and kind of funny and some parts were a little unpredictable. Not everyone makes it out alive.But why it loses points has nothing to do with the Mary sue part. If someone becomes a favorite character, be warned. When it does include more fantastical elements, the monsters are pulled from folklore. The evil and atrocities are all committed by very human hands. Usually, the movies of this subgenre don’t have anything actually supernatural occur. Ancient traditions are central to weird situations, from superstitions to much older religions. It can mean an island or simply an isolated community-the landscape is almost always there to cut off outsiders from returning to more populated destinations. In a folk horror film, the story must include a location isolated from the larger world. Influences from them, big and small, can be seen in Alex Garland’s Men. These movies are not connected by a storyline or characters in any way but in how they helped set some criteria.
Before Nicolas Cage (and his frantic “Not the bees!”), there was Edward Woodward’s colder and more stern sacrificial victim in the trilogy’s capper, The Wicker Man. Witchfinder General and The Blood on Satan’s Claws were two early templates for what would become known as folk horror. The “Unholy Trinity” helped usher in a new subgenre of horror.
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